"A kind of painting giving greater consolation." In Vincent van Gogh’s own words we find a succinct and simple description of "The Starry Night," probably his most famous work.
Philosophers, art historians, musicologists and mystics have been known to choose van Gogh’s "Starry Night" as an example of artwork that depicts on canvas the music of the spheres. This painting, as very few others, has a universal impact on the audience that might be compared to the effect Handle’s"Messiah" has, an effect that creates the immediate need to rise up in accord, physically, mentally, emotionally and spiritually.
Why this particular piece of work is so powerful remains a source of speculation. Vincent’s own churning state of mind and spirit, displayed so clearly and fitfully for any viewer to witness, is probably as good an explanation as any. During his life, he was branded as insane, and indeed, he voluntarily went into an asylum to try to find some peace toward the end. His was a spirit so open and vulnerable, and a mind so beleaguered, that he likely could not have hid his own internal chaos from his viewers even if he tried.
What strikes us immediately is the juxtaposition of light and dark. In fact, it seems there is more brightness in this nightscape than darkness. The characteristic van Gogh swirls of pigment are blatant and appealing, imbuing the canvas with movement and energy. Repeated curving patterns swing from the landscape into the sky and back again, tying the picture together with the force of this artist’s brush and will.
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Philosophers, art historians, musicologists and mystics have been known to choose van Gogh’s "Starry Night" as an example of artwork that depicts on canvas the music of the spheres. This painting, as very few others, has a universal impact on the audience that might be compared to the effect Handle’s"Messiah" has, an effect that creates the immediate need to rise up in accord, physically, mentally, emotionally and spiritually.
Why this particular piece of work is so powerful remains a source of speculation. Vincent’s own churning state of mind and spirit, displayed so clearly and fitfully for any viewer to witness, is probably as good an explanation as any. During his life, he was branded as insane, and indeed, he voluntarily went into an asylum to try to find some peace toward the end. His was a spirit so open and vulnerable, and a mind so beleaguered, that he likely could not have hid his own internal chaos from his viewers even if he tried.
What strikes us immediately is the juxtaposition of light and dark. In fact, it seems there is more brightness in this nightscape than darkness. The characteristic van Gogh swirls of pigment are blatant and appealing, imbuing the canvas with movement and energy. Repeated curving patterns swing from the landscape into the sky and back again, tying the picture together with the force of this artist’s brush and will.
https://www.cntoplighting.com/product/
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